Photography as Metaphor
As I was driving down the road looking for the next great camera angle, it hit me. Photography is really just a metaphor for how we teach. And, quite possibly, should be a metaphor for how we assess.
Like our new curriculum model (love it? hate it? couldn’t care less about it?), there are some “common core” ideas one must learn and understand if he or she is going to take pictures. While the list is not exhaustive, here are a few I’ve picked up along the way.
1. Understand your camera. It doesn’t matter if you are shooting the latest and greatest Canon or Nikkon, an old polariod, film, a point-and-shoot, or your phone’s camera, you need to understand how it works. What are its limitations? How does it excel? This leads us to point #2.
2. Read the manual. My first trip to Knoxville for a Knoxville Area Photography Meetup I learned this one embarrassingly well. I was shooting with a Canon Rebel, and I was already in way over my head. “Do you shoot in manual mode?” I was asked. Well…..uh…..no. “Have you read your manual?” I didn’t have one. It turns out that every camera is just different enough that even the most seasoned photographers will need to read up on the manual if they change cameras. The learning process is never done. So, I did what any self-respecting technology geek would do, I used my phone’s Internet browser to search for and download the manual to my camera. And I started reading instead of taking pictures.
3. Understand the basics of how a camera works. This is different than the previous point. By this I mean you need to understand things like focus length, aperture settings, ISO, and what all those little cute dials on the top and sides of your camera do. I still get confused at times. I know that as the space in which you are shooting gets darker, the ISO number should get larger (we’ll talk about tripods later). So it is counter intuitive for the aperture to be the opposite. To “shoot wide open” (meaning you are letting in as much light as possible to your lens), you crank the aperture number down to its smallest possible range. The smaller the aperture number (which actually means a larger aperture opening), the faster the camera will take the picture and your images won’t be so blurred (we’ll talk about bokeh later). I get this wrong all…the…time. There’s more, but you get the point.
4. Understand the basics of composition. The very first thing I learned about taking better (or to my mind, more interesting) photographs was the rule of thirds. In the rule of thirds you imagine a tic-tac-toe board drawn across your screen. Horizon lines either go on the top or bottom horizontal lines. People or other objects of interest go on either of the vertical lines. Faces go where the horizontal and vertical lines intersect. Of course, at times breaking the rule of thirds makes the picture even better, so maybe we should call it the “suggestion of thirds.” There is more, but you get my point.
Up until this point, we can assess a person’s knowledge of photography with a bubble sheet style multiple choice assessment.
Which of the following is not true:
- The larger the ISO number the faster your shutter will open and close
- The larger your Aperture number the faster your shutter will open and close
- The smaller your Aperture number the faster your shutter will open and close
- None of the above
Not rocket science. But, the same cannot be said once we move away from the basics. Notice the verb change…
5. Explore your creative side in composition. People compose photographs differently. They see angles differently. We can’t all be expected to take the exact same shot that everyone else takes. Using your camera at eye level will give you a much different shot than if you get down on your stomach and shoot from ground level. Or climb a ladder to shoot from sky level. Use different camera settings to get different results. For example, I love to slow my shutter speed down as far as possible (take take longer exposures) and shoot rivers and waterfalls. The water turns to silk as its movement is blurred over time, but the rocks and trees stay in sharp focus.
6. Explore your creative side in post-processing. People say to me all the time, “Tim, your pictures are so vibrant. Mine never look like that.” Mind don’t either. I make them look like that. I used HDR techniques for a bit (High Dynamic Range) where you take 3 or 5 of the exact same picture but exposed as dark, medium, and light, and then combine them in a software program like Photomatix to analyze the best pixels in each picture and create one really eye-popping, jaw-dropping photograph. Or, at least, that’s the plan. I’ve moved from HDR to Tonemapping. I let Photomatix do sort of the same process on one picture to bring out the best highlights. iPhoto does a great job of changing color saturation, shadows, adding blurred edges, and more. Make the picture you like.
7. On phone cameras, explore the app store. Yes, this one could cost you some money. I now have 15 different camera apps on my iPhone and 23 different apps for editing. I also have 7 apps for taking different videos and several more for processing videos. I hardly ever post a picture from my phone that I haven’t taken through the Snapseed app. Others I like to “grunge” up a bit just for fun. Some people like them. Others don’t. But I am demonstrating a skill that cannot be bubble sheet tested.
As teachers, we know we can’t test everything a student knows with multiple choice questions. We can assess the basics. But to stretch students into being creative creatures, we need to learn different assessment techniques. We need to move away from “you didn’t make this look exactly like mine,” to “I see you are mastering this concept.”
I believe photography is making me a better teacher. I know it is making me a better student.







